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The New Hollywood, Hollywood Renaissance, American New Wave, or New American Cinema (not to be confused with the New American Cinema of the 1960s that was part of avant-garde underground cinema [6]), was a movement in American film history from the mid-1960s to the early 1980s, when a new generation of filmmakers came to prominence.
The New Hollywood is the emergence of a new generation of film school-trained directors who had absorbed the techniques developed in Europe in the 1960s as a result of the French New Wave; the 1967 film Bonnie and Clyde marked the beginning of American cinema rebounding as well, as a new generation of films would afterwards gain success at the ...
The New Wave (French: Nouvelle Vague, French pronunciation: [nuvɛl vaɡ]), also called the French New Wave, is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm .
The New Wave, French New Wave, or Nouvelle Vague, the inaugural New Wave cinema movement Australian New Wave; Indian New Wave, or Parallel cinema; Japanese New Wave, or Nuberu Bagu, which also developed around the same time as the French Nouvelle Vague
Indian ('Parallel cinema') — began around the same time as the French New Wave; Japanese (Nuberu Bagu) — began around the same time as the French New Wave; Malayalam ('New generation') Mexican ('Nuevo Cine Mexicano') Nigerian ('New Nigerian Cinema' or 'New Nollywood') Persian/Iranian — began in the 1960s; Philippine New Wave, also known ...
Agnès Varda, the late New Wave cinema legend, is the subject of “Viva Varda!,” a documentary boasting exclusive archive footage and interviews by filmmakers such as Atom Egoyan and Audrey Diwan.
No wave cinema was an underground filmmaking movement that flourished on the Lower East Side of New York City [4] from about 1976 to 1985. Associated with (and partially sponsored by) the artists’ group Collaborative Projects, [5] no wave cinema was a stripped-down style of guerrilla filmmaking that emphasized dark edgy mood and unrehearsed immediacy above many other artistic concerns ...
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