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The New Hollywood, Hollywood Renaissance, American New Wave, or New American Cinema (not to be confused with the New American Cinema of the 1960s that was part of avant-garde underground cinema [6]), was a movement in American film history from the mid-1960s to the early 1980s, when a new generation of filmmakers came to prominence.
New wave of British heavy metal; New wave of American heavy metal; New wave of traditional heavy metal; New Wave revival; Neue Deutsche Welle, the German new wave music movement in the late 1970s and early 1980s; Yugoslav new wave, aka Novi val, Novi talas or Nov bran, the new wave scene in Yugoslavia in the late 1970s and early 1980s
No wave cinema was an underground filmmaking movement that flourished on the Lower East Side of New York City [4] from about 1976 to 1985. Associated with (and partially sponsored by) the artists’ group Collaborative Projects, [5] no wave cinema was a stripped-down style of guerrilla filmmaking that emphasized dark edgy mood and unrehearsed immediacy above many other artistic concerns ...
Michael Crawford Chapman, ASC (November 21, 1935 – September 20, 2020) was an American cinematographer and film director well known for his work on many films of the American New Wave of the 1970s and in the 1980s with directors such as Martin Scorsese and Ivan Reitman. He shot more than forty feature films.
László Kovács ASC (Hungarian pronunciation: [ˈkovaːt͡ʃ ˈlaːsloː]; 14 May 1933 – 22 July 2007) was a Hungarian-American cinematographer who was influential in the development of American New Wave films in the 1970s, collaborating with directors including Peter Bogdanovich, Richard Rush, Dennis Hopper, Norman Jewison, and Martin Scorsese.
Agnès Varda, the late New Wave cinema legend, is the subject of “Viva Varda!,” a documentary boasting exclusive archive footage and interviews by filmmakers such as Atom Egoyan and Audrey Diwan.
Too Soon to Love, also known as High School Honeymoon and Teenage Lovers, is a 1960 American exploitation film directed by Richard Rush and starring Richard Evans, Jennifer West and Jack Nicholson. [2] The film was considered by some critics as among the first of the American "new wave" of filmmaking. [1]
Influenced by Italian neorealism and French New Wave, films produced under the ideology of Cinema Novo opposed traditional Brazilian cinema, which consisted primarily of musicals, comedies and Hollywood-style epics. [6] Glauber Rocha is widely regarded as Cinema Novo's most influential filmmaker.