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In literature, the paradox is an anomalous juxtaposition of incongruous ideas for the sake of striking exposition or unexpected insight. It functions as a method of literary composition and analysis that involves examining apparently contradictory statements and drawing conclusions either to reconcile them or to explain their presence.
There is no final contradiction between this kind of excitement and this kind of calm, but the meaning of the words are being modified by each other, moving away from their purely denotative meaning. This is a good example of what "paradox" means to Brooks: the poet expresses himself in words that are metaphorical and thus protean in their ...
The meaning of the poem is embodied in its sensual aspects of the arrangement, sound, and rhythm of the words, which are not translateable (an argument also made by Benedetto Croce). He compared a poem to a drama, which draws meaning from how it enacts ambiguity, irony, and paradox. [2] [3]
Buttered cat paradox: Humorous example of a paradox from contradicting proverbs. Intentionally blank page: Many documents contain pages on which the text "This page intentionally left blank" is printed, thereby making the page not blank. Metabasis paradox: Conflicting definitions of what is the best kind of tragedy in Aristotle's Poetics.
In literary terminology, a paradox is an apparent contradiction that is nevertheless somehow true. [6] Paradox can take the form of an oxymoron , overstatement or understatement. Paradox can blend into irony .
Vettori did not try to solve the problem but was first to publish about it, in his Latin commentary on the Poetics in 1560. [37] André Dacier wrote more than a century later, as though unaware of Castelvetro's remarks on the problem, "The wise Victorius [Vettori] is the only one who has seen it; but since he did not know what was the concern in the Chapter, and that it is only by this that it ...
In a highly relevant way, this paradox echoes that of modern-day naturalists who celebrate how the immutable building blocks of DNA continually combine and recombine to produce a living world of infinite variety and change. Modern readings of Hopkins's poems stress this correspondence without necessarily resolving the inherent contradiction of ...
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