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Guy Louis Gabaldon (March 22, 1926 – August 31, 2006) was a Chicano in the United States Marine who, at age 18, captured or persuaded to surrender over 1,300 Japanese soldiers and civilians during the battles for Saipan and Tinian islands in 1944 during World War II.
Hell to Eternity is a 1960 American World War II film starring Jeffrey Hunter, David Janssen, Vic Damone and Patricia Owens, directed by Phil Karlson.This film biopic is about the true experiences of Marine hero Pfc. Guy Gabaldon (played by Hunter), a Los Angeles Hispanic boy raised in the 1930s by a Japanese American foster family, and his heroic actions during the Battle of Saipan.
Gabaldon is a surname. Notable people with the surname include: Argimiro Gabaldon, poet and former Venezuelan revolutionary of FALN; Arnoldo Gabaldon, Venezuelan sanitarist; Arnoldo Gabaldon Berti, Venezuelan engineer, first Environment minister of Latin America; Diana Gabaldon, author of works including the "Outlander" and "Lord John" series
Diana J. Gabaldon (/ ˈ ɡ æ b əl d oʊ n /; [1] born January 11, 1952) is an American author and television writer. She is best known for the book series Outlander.Her books merge multiple genres, featuring elements of historical fiction, romance, mystery, adventure and science fiction/fantasy. [2]
Though Gabaldon had intended it to be a novella, Private Matter came in at 320 pages and secured the author a deal for two additional full Grey novels, Lord John and the Brotherhood of the Blade (2007) and The Scottish Prisoner (2011). [1] [2] [11] Private Matter reached #8 on The New York Times Hardcover Fiction Best-Seller List. [12]
Bahasa Indonesia; Română; 中文; Edit links ... Download QR code; Print/export ... This is a list of films produced by the American film industry from the earliest ...
[2] [3] Nakano's family unofficially adopted legendary Marine Corps combat interpreter Guy Gabaldon at age 12. Gabaldon was awarded the Navy Cross for his heroic actions on Saipan and Tinian islands during World War II which included saving the lives of many Japanese civilians on the two islands.
Treasures III: Social Issues in American Film, 1900–1934 looks at socially inflected films during the formative years cinema, when virtually no issue was too controversial for the big screen. Treasures IV: American Avant-Garde Film, 1947–1986 is the first multi-artist survey of the avant-garde film movement in the years following World War II.