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Brazilian painting, or visual arts, emerged in the late 16th century, influenced by the Baroque style imported from Portugal.Until the beginning of the 19th century, that style was the dominant school of painting in Brazil, flourishing across the whole of the settled territories, mainly along the coast but also in important inland centers like Minas Gerais.
What Brazilian art then became was a mix of some important achievements of the Moderns, meaning freedom from the strict academic agenda, with more conventional traits, giving birth in the following generation to a moderate Modernism, best exemplified by painter Cândido Portinari, who was something like the official painter of the Brazilian ...
Brazilian Romantic painting was the leading artistic expression in Brazil during the latter half of the 19th century, coinciding with the Second Reign. It represented a unique evolution of the Romantic movement ; it diverged significantly from its European counterpart and even the parallel Romantic movement in Brazilian literature .
The range and sweep of his output includes paintings depicting rural and urban labour, refugees fleeing the hardships of Brazil's rural north-east; and, despite these major and better known aspects of his work, treatments of the key events in the history of Brazil since the arrival of the Portuguese in 1500, images of childhood, portraits of ...
The Pinacoteca de São Paulo (Portuguese for "pinacotheca (picture gallery) of the state of São Paulo") is a visual arts museum focused on Brazilian art from the 19th century to the present day, in dialogue with various cultures from around the world. Founded in 1905 by the Government of the State of São Paulo, the Pinacoteca is the oldest ...
The painting, considered Meirelles' first major work, became one of the most popular artworks in Brazil [1] and is frequently featured in history textbooks. [10] The significance of The First Mass in Brazil was recognized the year after its completion when, in 1861, it was exhibited at the Official Salon of Paris.
[6] [20] [49] Jorge Coli, reflecting on the critical consensus, wrote that: "Meirelles has reached the rare convergence of forms, intentions and meanings that make a painting powerfully enter a culture. This image of discovery can hardly be erased, or replaced. It is the first mass in Brazil. It is the powers of art making history."
Until the beginning of the 19th century, Rio Grande do Sul was an area still in the process of settlement with ill-defined borders and an incipient culture. The most significant cultural episode occurred between the 17th and 18th centuries during the Jesuit Missions in the northwest of the state, at the time under Spanish possession. The ...