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Ludwig van Beethoven wrote 32 mature piano sonatas between 1795 and 1822. (He also wrote 3 juvenile sonatas at the age of 13 [1] and one unfinished sonata, WoO. 51.)Although originally not intended to be a meaningful whole, as a set they comprise one of the most important collections of works in the history of music. [2]
Artur Schnabel, 1906. Austrian pianist Artur Schnabel was the first pianist to record all of Ludwig van Beethoven's 32 piano sonatas. [1] The recordings were made in Abbey Road Studios in London on a C. Bechstein grand piano [2] from 1932 to 1935, [3] [4] [5] seven years after electrical recording was invented. [4]
Beethoven's Piano Sonata No. 10, Andante. On the other hand, in the theme of the Arietta movement that concludes his last piano sonata, Piano Sonata No. 32, Op. 111 (1822), Beethoven presents the chord voicing in a much more daring way, with wide gaps between notes, creating compelling sonorities that enhance the meditative character of the music:
The Piano Trios of Beethoven: An Historical and Analytical Study. University Microfilms. Song, Moo Kyoung (2002). The Evolution of Sonata-Form Design in Ludwig van Beethoven's Early Piano Sonatas, WoO 47 to Opus 22 (PDF) (PhD dissertation). Austin: University of Texas. Archived from the original (PDF) on 2016-03-04
The Piano Sonata No. 19 in G minor, Op. 49, No. 1, and Piano Sonata No. 20 in G major, Op. 49, No. 2, are short sonatas by Ludwig van Beethoven, published in 1805 (although the works were actually composed a decade earlier in early to mid 1797 [1]). Both works are approximately eight minutes in length, and are split into two movements.
The first movement is in typical sonata form.The exposition starts in the tonic key and transitions into the dominant key as the second theme begins. The development plays around with the closing measures of the exposition before making the right hand play arpeggios as the bass line slowly descends chromatically.
The Piano Sonata No. 9 in E major, Op. 14, No. 1, is an early-period work by Ludwig van Beethoven, dedicated to Baroness Josefa von Braun, one of his patrons at that time. It was composed in 1798 and arranged for string quartet by the composer in 1801 ( Hess 34), the result containing more quartet-like passagework and in the more comfortable ...