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[citation needed] A kolam or muggu is a geometrical line drawing composed of straight lines, curves and loops, drawn around a grid pattern of dots. It is widely practised by female family members in front of their house entrance, although men and boys also practice this tradition. [ 1 ]
Chowk-poorana or Chowkpurana is folk art practised in Punjab, Haryana, Himachal Pradesh, Madhya Pradesh and Uttar Pradesh. [1] In Uttar Pradesh, the term chowk-poorana refers to decorating the floor with various designs using flour and rice [2] and also the walls using designs specific to the region.
A kuberakolam, rendered kubera kolam, is a magic square of order three constructed using rice flour and drawn on the floors of several houses in South India. In Hindu mythology, Kubera is a god of riches and wealth. It is believed that if one worships the Kuberakolam as ordained in the scriptures, one would be rewarded with wealth and ...
A rangoli on the occasion of Diwali, Goa, India A rangoli made with flowers on the occasion of Onam Rangoli at Delhi, India Rangoli is an art form that originates from the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered limestone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks.
The design may show Ganesha, peacocks, women at work, tigers, floral motifs, etc. [3] Such paintings are also called Mandala in most of the parts of Nepal. [ citation needed ] Mandana art work from Shilpgram, Udaipur
An alpana is usually created on flooring, generally directly on the ground. On this, a wet white pigment made of rice flour and water (or in some places, chalk powder and water) is used to outline the alpana, with the paint being applied by the artist's finger tips, a small twig, or a piece of cotton thread that is soaked in the dye, or fabric. [3]
The bead itself is very hard and dense, ivory-coloured (which gradually turns a deep golden brown with long use), and has small holes (moons) and tiny black dots (stars) covering its surface. Tibetan Buddhists also teach that certain types of malas can enhance specific practices or bring specific benefits. For example: [14] [12] [16]
The retinue of the deity is often represented in the geometric parts around the center. The bindu in a yantra may be represented by a dot or small circle, or may remain invisible. It represents the point from which all of creation emanates. Sometimes, as in the case of the Linga Bhairavi yantra, the bindu may be presented in the form of a linga ...