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Joan Hume McCracken was born in Philadelphia, Pennsylvania, on December 31, 1917, [3] the daughter of Mary Humes and Franklin T. McCracken, a prominent sportswriter at the Philadelphia Public Ledger who was an authority on golf and boxing.
This is a list of songs about or referencing killers. The songs are divided into groups by the last name of the killer the song is about or mentions. This is a dynamic list of songs and may never be able to satisfy particular standards for completeness.
"All That I've Got" is a song by American rock band the Used, released as the second single from their second studio album, In Love and Death (2004), in December 2004. The song was dedicated to Bert McCracken's dog, David Bowie, who was hit by a truck during the making of the album. [5] An acoustic version was later released on iTunes.
The film is set in 1927 at fictional Tait College, where football is all the rage ("Tait Song"/"Good News"). Tait's football star Tommy Marlowe is a prime catch for the college girls. Tommy tells his friend and non-playing teammate Bobby Turner that the trick to attracting girls is to show no interest ("Be a Ladies' Man").
In 1942 McCracken and Dunphy both auditioned for Agnes de Mille. You might want to preface Agnes de Mille by describing her as a choreographer so as to prompt the reader. Viriditas 09:45, 26 February 2014 (UTC) Reply ; As a result of her performance in Oklahoma!, McCracken was given a movie contract by Warner Brothers.
Jett agreed as she had long been a fan of The Gits. The band renamed themselves Evil Stig (Gits Live backwards), and toured in early 1995 playing a mix of Gits and Joan Jett songs, with a majority of the profits going towards Zapata's murder investigation. [3]
In November 1994, Robinson was sentenced to death for his crimes. As of April 2006, Robinson's execution had been stayed. He was later resentenced to life imprisonment for the murder of Joan Burghardt because he was 17 when the crime was committed. [5]
In 1986, Salt-n-Pepa sampled the Otis and Carla rendition of the song, but kept the original title. [17] Selected as number six in the list of "Vibe's 10 Greatest Otis Redding-sampled Songs", their rendition is described as "the perfect vehicle for the female hip-hop pioneers’ brazen diss of the cheating opposite sex". [17]