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The unusual style at first glance resembles a European tapestry of the period, and elements of the composition are drawn from European prints. The landscape, water and sky use Chinese motifs and conventions. The piece uses cotton, wool, silk, and gold thread. [3] The other member of the set in Lyon shows The Vengeance of Hecuba. [4]
Polonius" is Latin for "Polish" or "a/the Polish man." The English translation of the book refers to its author as a statesman of the "polonian empyre". In the first quarto of Hamlet, Polonius is named "Corambis". It has been suggested that this derives from "crambe" or "crambo", derived from a Latin phrase meaning "reheated cabbage", implying ...
Polonius comes rushing in. The King tells him he has seen the ghost of the dead king. Polonius tries to calm the King and warns him to beware lest a word betray them both. The King rushes out followed by Polonius. Hamlet emerges from behind the tapestry (Hamlet: Polonius est son complice! le père d'Ophélie! – "Polonius is his accomplice.
[4] [5] He was a popular figure; besides his fame as a jester he has been described as an eloquent, witty, and intelligent man, using satire to comment on the nation's past, present, and future. [ 4 ] [ 5 ] Unlike jesters of other European courts, Stańczyk has always been considered as much more than a mere entertainer. [ 6 ]
The painting depicts a young man, in a brown background, dressed in black with a hat of the same color. He is portrayed in half-length, with his elbow resting on a table and his index finger on his temple, while the other hand holds an open book. He is of young age, has brown hair in short locks and a thick, blondish, beard.
Homo unius libri ('(a) man of one book') is a Latin phrase attributed to Thomas Aquinas by bishop Jeremy Taylor (1613–1667), who claimed that Aquinas is reputed to have employed the phrase "hominem unius libri timeo" ('I fear the man of a single book'). The poet Robert Southey recalled the tradition in which the quotation became embedded:
The Bayeux Tapestry tituli are Medieval Latin captions that are embroidered on the Bayeux Tapestry and describe scenes portrayed on the tapestry. These depict events leading up to the Norman conquest of England concerning William, Duke of Normandy , and Harold, Earl of Wessex, later King of England , and culminating in the Battle of Hastings .
The six original tapestries illustrate the story of the Grail quest as told in Sir Thomas Malory's 1485 book Le Morte d'Arthur.Like other Morris & Co. tapestries, the Holy Grail sequence was a group effort, with overall composition and figures designed by Edward Burne-Jones, heraldry by William Morris, and foreground florals and backgrounds by John Henry Dearle.