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Ibrahim El-Salahi (Arabic: إبراهيم الصلحي, born 5 September 1930) is a Sudanese painter, former public servant and diplomat.He is one of the foremost visual artists of the Khartoum School, [1] considered as part of African Modernism [2] and the pan-Arabic Hurufiyya art movement, that combined traditional forms of Islamic calligraphy with contemporary artworks. [3]
As Sudanese academic Ahmad Sikainga wrote in 2012, modern art movements in Sudan and their social background have not attracted much analysis by art historians. [ note 7 ] During the Sudanese Revolution of 2018/19, however, the role of artists has been reported in international media, reflecting their interest in current events. [ 94 ]
The following other wikis use this file: Usage on azb.wikipedia.org سودان سیاه ب; Usage on de.wikipedia.org Farbstoffe; Sudanfarbstoffe
Eythar Gubara (Arabic: ايثار جبارة, born 1988 in Khartoum, Sudan), is a Sudanese freelance photographer and activist for human rights. She is mainly known for her documentary images of everyday life in Sudan and of events during the Sudanese Revolution. In her work, she has placed a special focus on images of women, as well as on ...
A computer screen showing a background wallpaper photo of the Palace of Versailles A wallpaper from fractal. A wallpaper or background (also known as a desktop background, desktop picture or desktop image on computers) is a digital image (photo, drawing etc.) used as a decorative background of a graphical user interface on the screen of a computer, smartphone or other electronic device.
In 1927, Austrian photographer and travel writer Hugo Bernatzik travelled by boat and his own automobile to southern Sudan. He returned with 1,400 photographs and 30,000 ft. of cinema film [17] and published his impressions and ethnographic pictures of Shilluk, Nuer and Nuba people in 1930 in a popular travelogue, first in German and later in English titled Gari Gari: The Call of the African ...
First published in Arabic as Al-Bayan al-Kristali, the document presented an artistic vision that attempted to work beyond the Sudanese-Islamic framework of the Khartoum School. Moreover, the Crystalists sought to internationalize their art by embracing an existentialist avant-garde, more akin to European aesthetics.