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He encounters beautiful Josie McClellan, a stereotypical "spoiled rich girl" whom he has known all his life. Josie had spent the past several hours asleep in a dressing room after backing out of shoplifting some merchandise in a half-hearted attempt to run away from her abusive father, Roger Roy McClellan.
Roger Ebert of the Chicago Sun-Times "found it too easy to anticipate most of the big moments and too hard to believe that Sheedy was really a spoiled, mean-spirited rich bitch." [1] Janet Maslin in The New York Times praised Sheedy, saying her "petulant manner and her air of faint distaste for her surroundings are just right for this role. And ...
To promote the movie, Cruz, Velasquez and Cojuangco appeared in an episode of T.G.I.S., reprising their roles in the film. The girls also appeared in all three major networks, ABS-CBN, GMA Network and ABC (now 5) for several interviews in various talk and variety shows. For the film and soundtrack's press release, Cruz, Velasquez, and Cojuangco ...
In the film, Poppy (Roberts), a spoiled rich girl, sends her father over the edge when she pulls a cruel prank on his girlfriend. As a result, he sends her to boarding school, which isn’t ...
Sorority Girl (also known as Sorority House or The Bad One) is a 1957 film noir exploitation film directed by Roger Corman. It stars Susan Cabot as Sabra, a sociopath who plays a very disruptive role in a sorority, with Barboura Morris, Dick Miller and June Kenney. It was released by American International Pictures as a double feature with ...
They reveal their odd names, but nothing else about themselves: he is Marion and she is "Willie". He is sure that she is a spoiled rich girl, and in fact Wilhelmina "Willie" Hammond is indeed a member of a wealthy high-society family, running from an arranged marriage to another socially prominent type, stolid Alvin Bailey.
Name Actor or actress Seasons Episode count Megan Smith: JoAnna Garcia: 1: 18 A Yale graduate who grew up in Fort Lauderdale, Megan is a frustrated writer. In the first episode she leaves her job at a New York women's magazine, because career advancement within the magazine only gives her the option to write about subjects she considers banal, rather than opening her up to the freedom of topic ...
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