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Among the early Greeks, the sceptre (Ancient Greek: σκῆπτρον, skeptron, "staff, stick, baton") was a long staff, such as Agamemnon wielded (Iliad, i) or was used by respected elders (Iliad, xviii. 46; Herodotus 1. 196), and came to be used by judges, military leaders, priests, and others in authority. It is represented on painted vases ...
Some officials of the medieval Eastern Roman Empire carried maces for either practical or ceremonial purposes. Notable among the latter is the protoallagator, a military-judicial position that existed by about the 10th century A.D. and whose symbols of office were reported by the Palaiologan writer Pseudo-Kodinos in the 14th century to include a silver-gilt mace (matzouka).
A staff of office is a staff, the carrying of which often denotes an official's position, a social rank or a degree of social prestige. Apart from the ecclesiastical and ceremonial usages mentioned below, there are less formal usages. A gold- or silver-topped cane can express social standing (or dandyism).
One method used by regional kings to solidify their authority was the use of ceremony and insignia. [11] The tomb of an unknown king – evidence suggests Rædwald of East Anglia (r. circa 599 – 624) – at Sutton Hoo illustrates the regalia of a pre-Christian Anglo-Saxon monarch. [12]
A 19th-century drawing of Sun Wukong featuring his staff. Ruyi Jingu Bang (Chinese: 如意金箍棒; pinyin: Rúyì Jīngū Bàng; Wade–Giles: Ju 2-yi 4 Chin 1-ku 1-pang 4), or simply Ruyi Bang or Jingu Bang, is the poetic name of a magical staff wielded by the immortal monkey Sun Wukong in the 16th-century classic Chinese novel Journey to the West.
The Yeomen Warders were formed in 1485 by the new King Henry VII, the first monarch of the Tudor dynasty. The Tudor rose, a heraldic badge of the dynasty, is part of the badge of the Yeomen Warders to this day. Founded after the Battle of Bosworth, it is the UK's oldest existing military corps and the oldest of the royal bodyguards. [13]
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The globus cruciger was associated with powerful rulers and angels; it adorned portrayals of both emperors and kings, and also archangels. It remained popular throughout the Middle Ages in coinage, iconography, and royal regalia.