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The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
Sonuncu şam yeməyi (Leonardo da Vinçi) Usage on de.wikipedia.org Das Abendmahl (Leonardo da Vinci) Johannes (Apostel) Sakrileg (Roman) Judas Iskariot; Simon Petrus; Liste griechischer Phrasen/Lambda; Usage on fa.wikipedia.org شام آخر (لئوناردو) Usage on fr.wikipedia.org Judas Iscariote; La Cène (Léonard de Vinci) Saison 2 de ...
Depictions of the Last Supper in Christian art have been undertaken by artistic masters for centuries, Leonardo da Vinci's late-1490s mural painting in Milan, Italy, being the best-known example. [1] (Clickable image—use cursor to identify.)
This follows a convention observed in most paintings of the Last Supper, of which Leonardo da Vinci's late 1490s mural painting in Milan, Italy, is probably the best-known example. Tintoretto's painting of 1592–1594, a work of his final years, departs drastically from this compositional formula.
Peru's regions are shaded in based on their population. Immigration to Peru involves the movement of immigrants to Peru from another country. Peru is a multiethnic nation formed by the combination of different groups over five centuries. Amerindians inhabited Peruvian territory for several millennia before Spanish Conquest in the 16th century.
Peruvian passport (Spanish: Pasaporte peruano) is a travel document issued to citizens of Peru with the purpose of identification and to travel outside the country. It is issued by the Superintendencia Nacional de Migraciones, the Peruvian immigration and naturalization authority, which is part of the Ministry of the Interior.
Leonardo da Vinci's Last Supper fresco was a significant influence on Rubens who created an etching after the Da Vinci Last Supper, which was one of Rubens' first attempts to express the full range of human emotion printed by Pieter Soutman. Rubens was also influenced by his humanist ideals from which he extracts biblical themes.
The Last Supper (1445–1450) is a fresco by the Italian Renaissance artist Andrea del Castagno, located in the refectory of the convent of Sant'Apollonia, now the Museo di Cenacolo di Sant'Apollonia, and accessed through a door on Via Ventisette Aprile at the corner with Santa Reparata, in Florence, region of Tuscany.