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A simile (/ ˈ s ɪ m əl i /) is a type of figure of speech that directly compares two things. [1] [2] Similes are often contrasted with metaphors, where similes necessarily compare two things using words such as "like", "as", while metaphors often create an implicit comparison (i.e. saying something "is" something else).
One day, her sisters looked into her bag and found her jewelry; they stole it and put stones in its place. After this, one day Finette saw from the tree a dazzling castle. Her sisters stole her clothing and jewelry and left her in rags when they went to it. A hideous and enormous old woman told them that it was an ogre's castle. She told them ...
Rebecca West described Lady Into Fox as one of the "best imaginative productions" of the decade. [1]The success of the novel resulted in several imitations. They included a parody by Christopher Ward (1868–1943) Gentleman Into Goose (1924), while Vercors' homage Sylva (1961), depicts a fox transforming into a woman.
A Dictionary of Similes is a dictionary of similes written by the American writer and newspaperman Frank J. Wilstach. In 1916, Little, Brown and Company in Boston published Wilstach's A Dictionary of Similes, a compilation he had been working on for more than 20 years. It included more than 15,000 examples from more than 800 authors, indexing ...
The Hedgehog and the Fox is an essay by philosopher Isaiah Berlin that was published as a book in 1953. It was one of his most popular essays with the general public. However, Berlin said, "I meant it as a kind of enjoyable intellectual game, but it was taken se
A metaphor is a literary figure of speech that uses an image, story or tangible thing to represent a less tangible thing or some intangible quality or idea; e.g., "Her eyes were glistening jewels". Metaphor may also be used for any rhetorical figures of speech that achieve their effects
The spiritual meaning behind seeing a grey fox is far different than when seeing a red one. Mello's take on the spiritual meaning of a gray fox is that it "represent[s] our need for isolation and ...
A studious fox in a monk's cowl, in the margins of a book of hours, Utrecht, c. 1460. Foxes in general have the reputation of tricksters in traditional European folklore. [10] The specific character of Reynard is thought to have originated in Lorraine folklore, from where it spread to France, Germany, and the Low Countries.