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Ovonramwen, Oba of Benin from 1888- January 1898 An Oba on horseback with attendants from 16th century An Oba of Benin from the late 17th century. The Oba of Benin is the traditional ruler and the custodian of the culture of the Edo people and all Edoid people. The then Kingdom of Benin (not to be confused with the modern-day and unrelated ...
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The royal arts of the Benin Kingdom of southern region Nigeria affirm the centrality of the Oba, or divine king, portraying his divine nature. While recording the kingdom's significant historical events and the Oba's involvement with them, they also initiate the Oba's interactions with the supernatural and honor his deified ancestors, forging a continuity that is vital to the kingdom's well-being.
According to Benin oral history, Aruan was a giant who could sweep the city of Benin using palm tree. [2] Sometimes spelt as Arhuanran or Aruanran, Aruan was destined to be an Oba of Benin Kingdom but the circumstances surrounding his birth meant that he lost the throne to his younger brother who was born the same day. [3]
Uvorama (Overami) Nabeshi, The Last King (Oba) Of Benin. From a photograph taken on board the Niger Coast Protectorate Yacht while the King was on his way to exile. (1897)
The palace, built by Oba Ewedo (1255–1280), is located at the heart of ancient City of Benin. It was rebuilt by Oba Eweka II (1914–1932) after the original building was destroyed during the 1897 war with the British. The Royal Palace of Oba of Benin is a celebration and preservation of the rich Benin culture. [3]
The Oba's palace in Benin City, the site of production for the royal ancestral altars, also was the site for an elaborate court ceremonial life in which the Oba of Benin, his warriors, chiefs and titleholders, priests, members of the palace societies and their constituent guilds, foreign merchants and mercenaries, and numerous retainers and ...
English: Two of the Oba of Benin's ancestral altars, 1936 - 0327.0015. Date: 1 January 1936: Source: Etnografiska museet (Musuem of Ethnography), Stockholm: Author: