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In fact, J. C. Denner may have built no clarinets at all. Only one extant clarinet, owned by the University of California, Berkeley has been attributed to him, and this attribution has been challenged. [6] [7] [8] Another instrument possibly made by Denner was destroyed in World War II. [2] The earliest known reference to the clarinet is an ...
Charles Villiers Stanford: Clarinet Sonata, Op. 129 (1912), which can also be played by a viola; Camille Saint-Saëns: Clarinet Sonata (1921) [7] William Henry Bell: Clarinet Sonata in D minor (1926) [5] Darius Milhaud: Sonatina for Clarinet (1927) George Frederick Linstead: Clarinet Sonata (1932?) [5] John Cage: Sonata for Solo Clarinet (1933 ...
Arnold Bax – Clarinet Sonata in E major (1901) [6] Donald Francis Tovey – Clarinet Sonata in B-flat major, Op. 16 (1906) [7] Charles Villiers Stanford – Clarinet Sonata, Op.129 (1911) [8] William Henry Bell – Clarinet Sonata in D minor (1926) [5] George Frederick Linstead – Clarinet Sonata (1932?) [5] Arnold Bax – Clarinet Sonata in ...
The most well known sonata from this volume, number 11 in G minor, appears to have been largely the work of Eccles himself, though he excerpted the second movement (the Corrente) from Francesco Bonporti's Opus 10. [2] In 1723, Eccles produced a further volume of Sonatas for Violin and Figured Bass with an additional two sonatas for flute.
This gives the bass clarinet a usable range of up to four octaves, quite close to the range of the bassoon; indeed, many bass clarinetists perform works originally intended for bassoon or cello because of the plethora of literature for those two instruments and the scarcity of solo works for the bass clarinet.
Around this time, well-known Nuremberg instrument maker Johann Christoph (J.C.) Denner made improvements to the chalumeau, eventually developing it into the Baroque clarinet. The chalumeau is distinguished by two keys (thought to be added by Denner), which cover tone holes drilled diametrically to each other.
Op. 2 No. 11 – Violin Sonata in B minor; Op. 2 No. 12 – Violin Sonata in G minor; Op. 3 No. 1 – Sonata for 2 violins in G major; Op. 3 No. 2 – Sonata for 2 violins in A major; Op. 3 No. 3 – Sonata for 2 violins in C major; Op. 3 No. 4 – Sonata for 2 violins in F major; Op. 3 No. 5 – Sonata for 2 violins in E minor
Luciano Berio: Sequenza XII for solo bassoon (1995) Pierre Boulez: Dialogue de l'ombre double for bassoon and electronics (originally for clarinet, transcribed for bassoon by the composer – 1995) Howard J. Buss: A Day in the City for solo bassoon (1986) Time Capsule for oboe and bassoon (1996) Desert Odyssey for clarinet, bassoon and piano (1997)