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"Ukulele Lesson" 78 rpm disc label. Breen is credited with convincing publishers to include ukulele chords on their sheet music. The Tin Pan Alley publishers hired her to arrange the chords and her name is on hundreds of examples of music from the 1920s on. [6] Her name appears as a music arranger on more pieces than any other individual. [7]
The ukulele (/ ˌ juː k ə ˈ l eɪ l i / yoo-kə-LAY-lee; from Hawaiian: ʻukulele [ˈʔukuˈlɛlɛ]), also called a uke, is a member of the lute family of instruments. The ukulele is of Portuguese origin and was popularized in Hawaii. The tone and volume of the instrument vary with size and construction. Ukuleles commonly come in four sizes ...
Coltrane used the "sheets of sound" lines to liquidise and loosen the strict chords, modes, and harmonies of hard bop, whilst still adhering to them (at this stage in his musical development). [7] Playing with the Miles Davis groups, in particular, gave Coltrane the free musical space in which to apply harmonic ideas to stacked chords and ...
The axis system is "concerned with harmonic and tonal substitution", [1] and posits a novel type of functional relationship between tones and chords. Lendvai's analyses aim to show how chords and tones related by the intervals of a minor third and tritone can function as tonal substitutes for one another, and do so in many of Bartók's ...
In most traditional bluegrass bands, the guitar rarely takes the lead, instead acting as a rhythm instrument, one notable exception being gospel-based songs. Melodies and lyrics tend to be simple, often in the key of G, and a I-IV-V chord pattern is common. In traditional bluegrass, instrumental breaks are typically short and played between ...
Voice leading (or part writing) is the linear progression of individual melodic lines (voices or parts) and their interaction with one another to create harmonies, typically in accordance with the principles of common-practice harmony and counterpoint. [1]
The most common slack-key tuning, called "taro patch," makes a G major chord. Starting from the standard EADGBE, the high and low E strings are lowered or "slacked" to D and the fifth string from A down to G, so the notes become DGDGBD. As the chart below shows, there are also major-chord tunings based on C, F, and D.
Starting from the symmetrical chords, otonal chords flatten one note, while utonal chords sharpen one note. The 5-limit otonality is simply a just major chord, and the 5-limit utonality is a just minor chord. Thus otonality and utonality can be viewed as extensions of major and minor tonality respectively.