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A jib can be used for getting high or low shots which are difficult for a hand-held camera operator to get, or shots which need to move a short distance horizontally or vertically, without the expense and safety issues of putting a camera operator on a crane for a crane shot or laying track for a camera dolly. A jib can even be mounted on a ...
In filmmaking and video production, a crane shot is a shot taken by a camera on a moving crane or jib. Filmmaker D. W. Griffith created the first crane for his 1916 epic film Intolerance , with famed special effects pioneer Eiji Tsuburaya later constructing the first iron camera crane which is still adapted worldwide today.
Usually jib arms are attached to a vertical mast or tower or sometimes to an inclined boom. In other jib-less designs such as derricks, the load is hung directly from a boom which is often anomalously called a jib. A camera jib or jib arm in cinematography is a small crane that holds nothing but the camera. [4]
This equipment, which includes tripods, dollies, tracks, jibs, cranes, and static rigs, is constructed of delicate yet heavy duty parts requiring a high level of experience to operate and move. Every scene in a feature film is shot using one or more cameras, each mounted on highly complex, extremely expensive, heavy duty equipment.
The use of remote heads on camera cranes allowed the advancement of longer, smaller and telescoping camera cranes, which would not have been possible with a camera operator on board [2] Remote heads are critical in motion-control camera systems that are used for match moving , repeatable moves, and integration with movie computer-generated ...
Technocrane is a telescopic camera crane widely utilised in the film industry and in television production. Originally commissioned, manufactured, named and marketed by Technovision Ltd. in London , United Kingdom , the first TechnoCrane was exhibited by Technovision during Photokina Expo in Cologne , Germany in September 1986.