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The Shiva Mahimna Stotra (Sanskrit: शिवमहिम्न:स्तोत्र, romanized: śiva-mahimnaḥ stotra, lit. 'Hymn about the greatness of Shiva') is a Sanskrit composition in praise of Shiva. According to tradition, the hymn is believed to have been composed by a gandharva (celestial musician) named Pushpadanta.
Advised by his ministers, Ravana sang hymns in praise of Shiva for a thousand years. Finally, Shiva not only forgave Ravana, but also granted him an invincible sword called the Chandrahasa. Since Ravana cried, he was given the name "Ravana" – one who cried. The verses that Ravana sang were collected and became known as the Shiva Tandava ...
The panchakshara (Sanskrit: पञ्चाक्षर) literally means "five syllables" in Sanskrit, [2] referring to the five syllables of na, ma, śi, vā, and ya forming the mantra Om Namah Shivaya. [3]
It is called Siva Panchakshara, or Shiva Panchakshara or simply Panchakshara meaning the "five-syllable" mantra (viz., excluding the Om) and is dedicated to Shiva. This Mantra appears as 'Na' 'Ma' 'Śi' 'Vā' and 'Ya' in the Shri Rudram Chamakam which is a part of the Krishna Yajurveda [ 1 ] and also in the Rudrashtadhyayi which is a part of ...
Bhajan refers to any devotional song with a religious theme or spiritual ideas, specifically among Dharmic religions, in any language. [1] The term bhajanam ( Sanskrit : भजनम्) means reverence and originates from the root word bhaj (Sanskrit: भज्), which means to revere , as in 'Bhaja Govindam' ( Revere Govinda ) .
The plot centers around Shiva and brings Hindu theology to life in a series of interconnected stories. The serial begins with the creation of the universe and the other Devas, then guides the viewer through Shiva's marriage to Sati, Sati's death, Shiva's marriage to Parvati, and tales of many devotional acts, demonic battles, and important religious events (such as the creation of the twelve ...
Page from a Dispersed Shiva Mahatmya (Great Tales of Shiva) The Shiva Sahasranama (Sanskrit: शिवसहस्रनाम, romanized: śivasahasranāma) is a ...
Raga Bhairavi is often referred to as the queen of morning Ragas. It produces a rich, devotional atmosphere especially suitable for the genres of Bhajan and the light classical form of Thumri. The Rishabh and Dhaivat used here are oscillating which is strongly recommended in this Raga and it makes the Raag mood intense. [2]