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English: Movement 1 (Allegro non molto) of Summer, from Antonio Vivaldi's Four Seasons Español: 1 er movimiento ( Allegro non molto ) del Verano , de las Cuatro Estaciones de Antonio Vivaldi Français : L' Allegro non molto (1 e mouvement) de l'Été, un des quatre concertos pour violon d' Antonio Vivaldi qui composent Les Quatre Saisons
For example, Vivaldi's celebrated Four Seasons, made up of four violin concertos (not sequentially numbered because they are in different keys), and his famous lute concerto are named and numbered as follows: Concerto No. 1 in E major, Op. 8, RV 269 – "La primavera" (Spring) Concerto No. 2 in G minor, Op. 8, RV 315 – "L'estate" (Summer)
Antonio Vivaldi (engraving by François Morellon de La Cave, from Michel-Charles Le Cène's edition of Vivaldi's Op. 8, 1725). The Four Seasons (Italian: Le quattro stagioni) is a group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year.
Antonio Vivaldi (engraving by François Morellon de La Cave, from Michel-Charles Le Cène’s edition of Vivaldi’s Op. 8, 1725) Title page, 1725. Il cimento dell’armonia e dell’inventione (The Contest Between Harmony and Invention) is a set of twelve concertos written by Antonio Vivaldi and published in 1725 as Op. 8.
Antonio Vivaldi – Instrumental Works Cross-Reference: A reference guide, cross-listing works by Ryom [RV], Fanna [F], Pincherle [P], Ricordi, and Opus numbers, as well as providing several other helpful lists of Vivaldi's works; Catalogue of Vivaldi's works; RV catalogue (in French) Compositions by Antonio Vivaldi at AllMusic
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pasticcio, possibly with some music by Vivaldi 10 701: Artabano, re dei Parti: Antonio Marchi: Carnival 1718: Venice, Teatro San Moisè: reworking of La costanza trionfante (RV 706) 11 699: Armida al campo d'Egitto: Giovanni Palazzi: Carnival 1718: Venice, Teatro San Moisè. Further performances in Venice on 26 December 1730 and 12 February ...
A set of twelve concertos was published by Estienne Roger in 1716-1717 under Antonio Vivaldi's name, as his Opus 7. They were in two volumes, each containing concertos numbered 1-6. Of the set, ten were for violin solo; the other two were for oboe solo. The authenticity of some of the works included has long been doubted by scholars.