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The 1929 film Man with a Movie Camera shows Russian women wearing early two-piece swimsuits, which expose their midriff, and a few who are topless. Films of holidaymakers in Germany in the 1930s show women wearing two-piece suits, [19] In 1928, Speedo introduced their racerback silk suit that was optimized to fit the body shape. [20] [21]
La Bella Principessa (English: "The Beautiful Princess"), also known as Portrait of Bianca Sforza, Young Girl in Profile in Renaissance Dress and Portrait of a Young Fiancée, is a portrait in coloured chalks and ink, on vellum, of a young lady in fashionable costume and hairstyle of a Milanese of the 1490s. [1]
The female folk costume featured the lush and elegance, due to its essential element, silver jewellery. In the 18th and 19th century, women in Cieszyn wore splendorous clothes which consisted of a lace cap, covered with headgear, a short shirt (kabotek), redbreas, [check spelling] padded corset (żywotek), sewn at the waist, apron, white stockings and black shoes.
In March 1519 at a masque at Greenwich Palace female dancers in fanciful "Egyptian" costumes wore black velvet gowns "with hoops from the waist downwards", which may have been farthingales. [ 4 ] Farthingales remained a fixture of conservative Spanish court fashion into the early 17th century (as exemplified by Margaret of Austria ), before ...
The scenes of the era were both divine and mundane, from Hans Memling’s luminous nativity scene, circa 1480, to Bruegel’s depiction of an angry wife hauling home her intoxicated husband, circa ...
The general European convention of completely covering married women's hair was not accepted in warmer Italy. [26] Italian women wore their hair very long, wound with ribbons or braided, and twisted up into knots of various shapes with the ends hanging free. The hair was then covered with sheer veils or small caps.