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The Battlefield Where The Moon Says I Love You is a 15,283-line epic poem by the poet Frank Stanford. First published in 1978 as a 542-page book, [1] the poem is visually characterized by its absence of stanzas (or any skipped horizontal spaces) and punctuation.
Clair de lune" (French for "Moonlight") is a poem written by French poet Paul Verlaine in 1869. It is the inspiration for the third and most famous movement of Claude Debussy's 1890 Suite bergamasque. Debussy also made two settings of the poem for voice and piano accompaniment.
The poem is one of Li's shi poems, structured as a single quatrain in five-character regulated verse with a simple AABA rhyme scheme (at least in its original Middle Chinese dialect as well as the majority of contemporary Chinese dialects). It is short and direct in accordance with the guidelines for shi poetry, and cannot be conceived as ...
Endymion is a poem by John Keats first published in 1818 by Taylor and Hessey of Fleet Street in London. John Keats dedicated this poem to the late poet Thomas Chatterton. The poem begins with the line "A thing of beauty is a joy for ever". Endymion is written in rhyming couplets in iambic pentameter (also known as heroic couplets).
The most famous work under the title "The Moon over the River on a Spring Night" is a seven-syllable yuefu style long poem by Tang dynasty poet Zhang Ruoxu. It is one of the only two poems by Zhang that preserve. The poem depicts the scenery of the moonlit riverside on a spring night, with elegant wording, a lofty rhythm, and a sophisticated ...
The Moon nevertheless plays a significant role in the action of the poem: as the lover imagines the Moon slowly sinking behind Lucy's cottage, he is entranced by its motion. By the fifth stanza, the speaker has been lulled into a somnambulistic trance—he sleeps while still keeping his eyes on the Moon (lines 17–20).
Me nis love never þe ner ant þat me reweþ sore. Suete lemmon þench on me—ich have loved þe ore. Suete lemmon y preye þe of love one speche, Whil y lyve in world so wyde oþer nulle y seche. Wiþ þy love my suete leof mi blis þou mihtes eche, A suete cos of þy mouþ mihte be my leche. Suete lemmon y preȝe þe of a love bene
In this case, pathos and pity are channeled into autumn and the moon. Vendler has proposed that the weather is the only phenomenon to which Stevens was passionately attached, [ 2 ] and a poem like "Lunar Paraphrase" shows how that might be true, when the weather is understood as representing nature as a focus for emotions that otherwise might ...