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The Apollo of Veii is a life-size painted terracotta Etruscan statue of Aplu , designed to be placed at the highest part of a temple. The statue was discovered in the Portonaccio sanctuary of ancient Veii , Latium , in what is now central Italy , and dates from c. 510-500 BC .
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The Portonaccio Sanctuary of Minerva was the first Tuscan–type, i.e., Etruscan, temple erected in Etruria (about 510 BCE). [1] The reconstruction proposed for it in 1993 by Giovanni Colonna together with Germano Foglia, presents a square 60 feet (18 m) construction on a low podium (about 1.8 metres, considering the 29 cm foundation) and divided into a pronaos with two columns making up the ...
Veii's sculptures and statues were made of terracotta. Most ceramic vessels were decorated with intricate details. Depictions of the everyday life of Etruscans were very common. [6] Many uncovered vases and bowls portray images of farmers harvesting crops and raising animals, as well as blacksmiths in the midst of working in a raging fire.
One of the best known examples of free-standing or isolated statue of this phase is the cult sculpture of Apollo of Veii, currently in the National Etruscan Museum of Villa Giulia. [1] During this period important changes were made in sculpture also due to changes in the field of architecture and religion.
The Apollo of Veii is a good example of the mastery with which Etruscan artists produced these large art pieces. It was made, along with others, to adorn the temple at Portanaccio 's roof line. Although its style is reminiscent of the Greek Kroisos Kouros , having statues on the top of the roof was an original Etruscan idea.
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The Apollo of Veii [2] The Cista Ficoroni; A reconstructed frieze displaying Tydeus eating the brain of his enemy Melanippus; The Tita Vendia vase; The Sarpedon Krater (or, the "Euphronios Krater") - this is now at the Archaeological Museum of Cerveteri, it was at the Villa Giulia from 2008 to 2014; The Centaur of Vulci; Phoenician metal bowls