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A common example of cultural appropriation is the adoption of the iconography of another culture and its use for purposes that are unintended by the original culture or even offensive to that culture's mores. For example, the use of Native American tribal names or images as mascots.
Chinese influence on Korean culture can be traced back as early as the Goguryeo period; these influences can be demonstrated in the Goguryeo tomb mural paintings. [1]: 14 Throughout its history, Korea has been greatly influenced by Chinese culture, borrowing the written language, arts, religions, philosophy and models of government administration from China, and, in the process, transforming ...
A loanword (also a loan word, loan-word) is a word at least partly assimilated from one language (the donor language) into another language (the recipient or target language), through the process of borrowing.
The use of appropriation has played a significant role in the history of the arts (literary, visual, musical and performing arts). In the visual arts, "to appropriate" means to properly adopt, borrow, recycle or sample aspects (or the entire form) of human-made visual culture. Notable in this respect are the readymades of Marcel Duchamp.
cultural borrowing; partial borrowing; pilot borrowing; customization; conceptual borrowing; However, within the review, customization is found to be most effective. Lewis argues that customization allows each country to take their own needs into account while allowing for cultural flows. This is important because cultural flows are often ...
In cultural anthropology and cultural geography, cultural diffusion, as conceptualized by Leo Frobenius in his 1897/98 publication Der westafrikanische Kulturkreis, is the spread of cultural items—such as ideas, styles, religions, technologies, languages—between individuals, whether within a single culture or from one culture to another.
It analyses the tension between linguistic creativity and cultural flirting on the one hand, and the preservation of a distinct language identity on the other hand. [2] The analysis presented in this book challenges Einar Haugen's classic typology of lexical borrowing. Whereas Haugen categorizes borrowing into either substitution or importation ...
What remains in Arabic are translations of the Gospels and the Psalms, anti-Islamic tracts and a translation of a church history. To this should be added literary remains in Latin which remained the language of the liturgy. There is evidence of a limited cultural borrowing from the Mozarabs by the Muslim community in Al-Andalus.