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A 14th-century example of the difficulty that minims produced is: mimi numinum niuium minimi munium nimium uini muniminum imminui uiui minimum uolunt ("the smallest mimes of the gods of snow do not wish at all in their life that the great duty of the defenses of wine be diminished"). In blackletter, this would look like a series of single strokes.
A modern sans-serif and four blackletter typefaces (left to right): Textur(a), Rotunda, Schwabacher and Fraktur.. Fraktur (German: [fʁakˈtuːɐ̯] ⓘ) is a calligraphic hand of the Latin alphabet and any of several blackletter typefaces derived from this hand.
This category contains Blackletter typefaces, including the varieties of textura, fraktur, rotunda, and schwabacher. Pages in category "Blackletter typefaces" The following 9 pages are in this category, out of 9 total.
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The "German/Gothic script" (blackletter) was embodied by Fraktur. The Antiqua–Fraktur dispute was a typographical dispute in 19th- and early 20th-century Germany. In most European countries, blackletter typefaces like the German Fraktur were displaced with the creation of the Antiqua typefaces in the 15th and 16th centuries. However, in ...
Fette Fraktur is a blackletter typeface of the sub-classification Fraktur designed by the German punchcutter Johann Christian Bauer (1802–1867) in 1850. The C.E. Weber Foundry published a version in 1875, and the D Stempel AG foundry published the version shown here in 1908.
Bastarda type in Fry's Pantographia. Bastarda or bastard was a blackletter script used in France, the Burgundian Netherlands and Germany during the 14th and 15th centuries. The Burgundian variant of script can be seen as the court script of the Dukes of Burgundy.
Sütterlin is based on older German handwriting, which is a handwriting form of the Blackletter scripts such as Fraktur and Schwabacher, the German print scripts used at the same time. It includes the long s (ſ) as well as several standard ligatures such as ff (f-f), ſt (ſ-t), st (s-t), and ß (ſ-z or ſ-s).