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Saint John the Baptist is a High Renaissance oil painting on walnut wood by Leonardo da Vinci. Likely to have been completed between 1513 and 1516, it is believed to be his final painting. Its original size was 69 by 57 centimetres (27 in × 22 in). The painting is in the collection of the Louvre.
It was painted as oil on panel. According to author Russell Shorto, the painting was "a sly blessing" on "hedge sermons" given by Calvinist preachers "in a field outside the city walls, safely beyond the jurisdiction of the king's men", the king being Philip II of Spain, who had banned Protestant worship in Dutch cities. [1]
The painting, in oil on canvas, is 12 ft (3.7 m) by 17 ft (5.2 m) [3] and prominent are the vivid red and warm yellow colours, common to the Baroque period with the use of chiaroscuro. [4] The image depicts the execution of John the Baptist while nearby a servant girl stands with a golden platter to receive his head.
John the Baptist (sometimes called John in the Wilderness) was the subject of at least eight paintings by the Italian Baroque artist Michelangelo Merisi da Caravaggio (1571–1610). The story of John the Baptist is told in the Gospels. John was the cousin of Jesus, and his calling was to prepare the way for the coming of the Messiah.
The church of San Giovanni in Oleo, with the Porta Latina in background.. San Giovanni in Oleo is a chapel adjacent to the church of San Giovanni a Porta Latina in Rome.It commemorates the place where, according to legend, in 92 AD, at the hands of the emperor Domitian, the apostle John was immersed in a vat of boiling oil from which he emerged unharmed.
Verrocchio's paintings, as are typical of Florentine works of that date, are in tempera on wooden panels. The technique of painting artworks in oil paint, previously used in Italy only for durable items like parade shields, was introduced to Florence by Dutch and Flemish painters and their imported works around the date that this painting was ...
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Oil painting is a painting method involving the procedure of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on canvas , wood panel or copper for several centuries, spreading from Europe to the rest of the world.