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"Gimme! Gimme! Gimme! (A Man After Midnight)" was written and composed by Benny Andersson and Björn Ulvaeus, with the lead vocal sung by Agnetha Fältskog.Fältskog, as the narrator, weaves the image of a lonely woman who longs for a romantic relationship and views her loneliness as a forbidding darkness of night, even drawing parallels to how the happy endings of movie stars are so different ...
The universality of Hughes' themes, and the economy of his language, reach into even very young lives, establishing a rapport readers then can take with them through the years.
Cale recorded the song and then released it in 1966 as a single with its flipside track "Slow Motion". [3] [4] When Eric Clapton was working with Delaney & Bonnie Bramlett, Delaney Bramlett introduced Clapton to the music of J.J. Cale. [5] [6] "After Midnight" was the first of several Cale cover songs released by Clapton and appeared on his self-titled debut album.
Gimme! Gimme! (A Man After Midnight)", the first time Erasure covered a song from the ABBA songbook. It was issued by Mute Records in the UK and Sire Records in the US to herald the June release of Wonderland, but became the third consecutive commercial failure for the band in both territories. Despite its low chart placement, "Oh l'amour" has ...
Dostoevsky in the 1850s, a few years after "White Nights." "White Nights" (Russian: Белые ночи, romanized: Belye nochi; original spelling Бѣлыя ночи, Beliya nochi) is a short story by Fyodor Dostoevsky, originally published in 1848, early in the writer's career.
Fred Astaire singing Hanighen and Mercer's "Poor Mr. Chisholm" in Second Chorus (1940). Bernard D. Hanighen (April 27, 1908 in Omaha, Nebraska – October 19, 1976 in New York City, New York) was an American songwriter and record producer, best known for "When a Woman Loves a Man", and writing lyrics to the jazz composition "'Round Midnight", composed by jazz musician Thelonious Monk.
User:Koavf has proposed that Gimme! Gimme! Gimme! (A Man After Midnight) be merged with Gimme! Gimme! Gimme! (A*Teens), without providing any reasoning for this merge. Oppose - Both articles contain considerable amounts of information, and combining these would give a cumbersome article with multiple infoboxes, multiple artist templates and multiple free-use images (only a minimum of which ...
The call boy or girl also calls the "quarter hour" and "overture and beginners", [1] the preparatory warning that signals for the orchestra to start the introductory music and the beginners, those performers who appear on stage at the beginning of the first act, to get into their opening positions. The call boy or girl also assists with scene ...