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Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing.
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
Only the first volume is the original. The two following volumes of The Real Book were produced. Volume 2 is printed in characteristically "rough" handwriting and transcription, while the third volume is typeset on a computer. The transcriptions in The Real Book are unlicensed; no royalties are paid to the musicians whose songs appear in the ...
Claude Debussy's Études are a set of 12 piano études composed in 1915. Debussy described them as "a warning to pianists not to take up the musical profession unless they have remarkable hands". [1] They are broadly considered his late masterpieces. [a]
The Game of Love (Koi no kakurenbo) for voice and piano: words by Shuntarō Tanikawa: Vocal: 1961: と の歌: A Song of 's (Circles) and 's (Triangles) (Maru to sankaku no uta) for voice and piano: words by the composer Vocal: 1962: 環礁: Coral Island: for soprano and orchestra: words by Makoto Ōoka: Vocal: 1962: 小さな空: Small Sky ...
The book covers a range of topics including left-hand voicings, scales and modes, improvisation, chords and comping. Much of the book involves musical theory, as Mark Levine states in the introduction. Jazz standards are cited frequently, often with notated examples, to help to explain a particular topic or idea.
A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in "locked-hands" [1] rhythmic unison with the melody, as opposed to broken chords. This latter style, known as shearing voicing, was popularized by George Shearing, but originated with Phil Moore. [1]
Occasion: Connick on Piano, Volume 2 is an instrumental album recorded in 2005, presenting Harry Connick Jr. on piano and Branford Marsalis on saxophone, playing their own jazz compositions. It is presented as Volume 2 in the Connick on Piano series from Marsalis Music. (Volume 1 is Connick's quartet album Other Hours.)