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Twelve Variations for cello & piano in F major on Mozart's "Ein Mädchen oder Weibchen," Op. 66 (1796) Twelve Variations for cello & piano in G major on Handel's "See, the Conqu'ring Hero comes," WoO 45 (1796) Seven Variations for cello & piano in E flat major on Mozart's "Bei Männern," WoO 46 (1801) Karol Beffa "Marmor" for cello and piano
A cello sonata is piece written sonata form, often with the instrumentation of a cello taking solo role with piano accompaniment. [1] Some of the earliest cello sonatas were composed in the 18th century by Francesco Geminiani and Antonio Vivaldi, and since then other famous cello sonatas have grown to those by Johannes Brahms, Ludwig van Beethoven, Felix Mendelssohn, Fryderyk Chopin, and ...
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The Cello Sonata in G minor, Op. 65, was written by Frédéric Chopin in 1846-1847. It is one of only nine works of Chopin published during his lifetime that were written for instruments other than piano (although the piano still appears in every work he wrote). Chopin composed four sonatas, the other three being piano sonatas. The cello sonata ...
Concertino "In dich hab' ich gehoffet, Herr" for cello and organ; Zsolt Gárdonyi. Variations on a Hungarian Chorale; Lothar Graap "Befiehl du deine Wege", Variations for cello and organ "Hinunter ist der Sonne Schein", Chorale suite for cello and organ; Percy Grainger. The Nightingale; Sofia Gubaidulina. In Croce; René Guillou. Adagio ...
Music (1971) Stefan Wolpe. Piece Alone (1966) William Wordsworth. Sonata for Violoncello (1961) [38] Charles Wuorinen. Cello Variations I to Fred Sherry (1970) Cello Variations II (1975) Cello Variations III (1997)
The A major Violin Sonata is one of César Franck's best-known compositions, and is considered one of the finest sonatas for violin and piano ever written. [1] After thorough historical study based on reliable documents, the Jules Delsart arrangement for cello (the piano part remains the same as in the violin sonata) was published by G. Henle Verlag as an Urtext edition.
Edvard Grieg composed the Cello Sonata in A minor, Op. 36 for cello and piano, and his only work for this combination, in 1882–83, [1] marking a return to composition following a period when he had been preoccupied with his conducting duties at the Bergen Symphony Orchestra as well as illness.