Search results
Results From The WOW.Com Content Network
The Sangam landscape (Tamil: அகத்திணை "inner classification") is the name given to a poetic device that was characteristic of love poetry in classical Tamil Sangam literature. The core of the device was the categorisation of poems into different tiṇai s or modes, depending on the nature, location, mood and type of relationship ...
Ariwara no Narihira (在原 業平, 825 – 9 July 880) was a Japanese courtier and waka poet of the early Heian period.He was named one of both the Six Poetic Geniuses and the Thirty-Six Poetic Geniuses, and one of his poems was included in the Ogura Hyakunin Isshu collection.
Print/export Download as PDF; Printable version; In other projects ... Pages in category "Poems about nature" The following 4 pages are in this category, out of 4 ...
CIL 4.5296 (or CLE 950) [a] is a poem found graffitied on the wall of a hallway in Pompeii.Discovered in 1888, it is one of the longest and most elaborate surviving graffiti texts from the town, and may be the only known love poem from one woman to another from the Latin world.
These inspirational nature quotes from writers, artists, and conservationists will breathe sunshine and fresh air into your day. 60 nature quotes that capture the beauty of our earth Skip to main ...
Birds Trees and Flowers Illustrated: The Nature Lover's Companion to Familiar British Birds, Trees and Flowers, fully Illustrated with Photographs, Drawings and Colour Plates, by Brian Vesey-Fitzgerald and others (1947) The Book of the Dog (1948) [4] It's My Delight (1948) [5] Background to Birds (1948)
Some of his work would resonate with people today, he has a lot of love poetry, other works would portray urban angst, others are in a household setting." [23] Poetry in Irish saw a revolution beginning in the end of the 1940s with the poetry of Máirtín Ó Direáin (1910-1988), Seán Ó Ríordáin (1916-1977) and Máire Mhac an tSaoi (1922
The New York Times Book Review wrote that Nature Poem was covertly political and engaging. [15]New York Journal of Books writes that this modern poem explores the tendency of American consumer society to view nature as a "cosmetic accessory," while also exploring the contradiction between Teebs' condemnation of "empty materialism" and his simultaneous "love letter" to it.