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Twenty Love Poems and a Song of Despair (Spanish: Veinte poemas de amor y una canción desesperada) is a poetry collection by the Chilean poet Pablo Neruda. Published in June 1924, the book launched Neruda to fame at the young age of 19 and is one of the most renowned literary works of the 20th century in the Spanish language.
The scholars Iona and Peter Opie noted that many variants have been recorded, some with additional words, such as "O. U. T. spells out, And out goes she, In the middle of the deep blue sea" [3] or "My mother [told me/says to] pick the very best one, and that is Y-O-U/you are [not] it"; [3] while another source cites "Out goes Y-O-U." [4] "Tigger" is also used instead of "tiger" in some ...
Cora Coralina (Portuguese pronunciation: [ˈkɔɾɐ kɔɾaˈlĩnɐ]) is the pseudonym of the Brazilian writer and poet Ana Lins dos Guimarães Peixoto Bretas (Portuguese pronunciation: [ˈɐ̃nɐ lĩz duz ɡimaˈɾɐ̃js pejˈʃotu ˈbɾetɐs]) (August 20, 1889 – April 10, 1985). [1]
Rows. A row in the table below is defined as any set of lines that is categorized either by Johnson (1955) or by Franklin (1998)—or, in the vast majority of cases, by both—as a poem written by Emily Dickinson.
¿Y Tu Abuela Donde Esta? (¿Y tu agüela, aonde ejtá? in the Puerto Rican dialect) is a poem by Puerto Rican poet Fortunato Vizcarrondo [1] [2] (1899 – 1977), [3] which has been recorded both as songs and as poetry by many Latin American artists, most notably the Afro-Cuban artist Luis Carbonell. [1]
rima consonante (consonant rhyme): Those words of the same stress with identical endings, matching consonants and vowels, for example robo (robbery) and lobo (wolf), legua (league) and yegua (mare) or canción (song) and montón (pile).
Another example of consonance is the word "sibilance" itself. Consonance is an element of half-rhyme poetic format, sometimes called "slant rhyme". It is common in hip-hop music, as for example in the song Zealots by the Fugees: "Rap rejects my tape deck, ejects projectile/Whether Jew or gentile I rank top percentile."
Darío wrote three books and a great number of loose poems which make up what is known as his "literary prehistory" ("prehistoria literaria".) The books are Epístolas y poemas (written in 1885, but published until 1888, under the title Primeras notas), Rimas (1887) and Abrojos (1887). In the first of these works his readings of Spanish ...