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Pyotr Ilyich Tchaikovsky's Trio in A minor, Op. 50, was written in Rome between December 1881 and late January 1882. It is subtitled À la mémoire d’un grand artiste [In memory of a great artist], in reference to Nikolai Rubinstein, his close friend and mentor, who had died on 23 March 1881. It is scored for piano, violin, and cello.
For a complete list of Tchaikovsky's works, including those without opus numbers, see here. [1] For more detail on dates of composition, see here. [2] Op. 1 Two Pieces for piano (1867) Scherzo à la russe in B ♭ major; Impromptu in E ♭ minor; Op. 2 Souvenir de Hapsal, 3 pieces for piano (1867) Op. 3 The Voyevoda, opera (1868)
The Piano Concerto No. 1 in B ♭ minor, Op. 23, was composed by Pyotr Ilyich Tchaikovsky between November 1874 and February 1875. [1] It was revised in 1879 and in 1888. It was first performed on October 25, 1875, in Boston by Hans von Bülow after Tchaikovsky's desired pianist, Nikolai Rubinstein, criticised the piece.
The work was first performed on January 30 of the same year with the composer at the piano, David Kreyn at the violin and Anatoliy Brandukov at the cello. [1] It waited until 1947 for the first edition to appear, and the trio has no designated opus number. Rachmaninoff wrote a second Elegiac piano trio in 1893 after the death of Tchaikovsky.
Franz Schubert's Piano Trio No. 1 and No. 2; Clara Schumann's Piano Trio; Robert Schumann's Piano Trio No. 1 in D minor and Piano Trio No. 3 in G minor; Dmitri Shostakovich's Piano Trio No. 2 in E minor; Bedřich Smetana's Trio for Piano, Violin and Cello; Pyotr Ilyich Tchaikovsky's Piano Trio in A minor, Op. 50
Pages in category "Compositions for piano trio" The following 37 pages are in this category, out of 37 total. ... Piano Trio (Tchaikovsky) W. Trio for Piano, Flute ...
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Except for a piano sonata written while he was a composition student and a second much later in his career, Tchaikovsky's solo piano works consist of character pieces. [67] While his best known set of these works is The Seasons , [ 68 ] the compositions in his last set, the Eighteen Pieces, Op. 72, are extremely varied and at times surprising.