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Ramona is a 1928 American synchronized sound drama film directed by Edwin Carewe, [3] based on Helen Hunt Jackson's 1884 novel Ramona, and starring Dolores del Río and Warner Baxter. While the film has no audible dialogue, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
Ramona has been adapted several times for other media. The first was a silent film by the same name, released in 1910. It was directed by D. W. Griffith and starred Mary Pickford. Other versions were made in 1928, 1936 and 1946. Ramona, a 17-minute short directed by D. W. Griffith; Ramona, directed by Donald Crisp
Ramona (1916 film) Ramona (1928 film) Ramona (1936 film) Ramona (1946 film) This page was last edited on 16 May 2019, at 21:02 (UTC). Text is available under the ...
This is a list of early pre-recorded sound and part or full talking feature films made in the United States and Europe during the transition from silent film to sound, between 1926 and 1929. [1] During this time a variety of recording systems were used, including sound on film formats such as Movietone and RCA Photophone , as well as sound on ...
"Ramona" (1928), by Gilbert and Mabel Wayne, was the first theme song ever written for the movies. William Grant Still, Gilbert, W. C. Handy, Frank Drye and Andy Razaf in Los Angeles in 1954 Gilbert (far right) in 1966. Born in Odessa, Ukraine, then in the Russian Empire, Gilbert moved to the United States as a young man. [1] [4]
1928 Victor 78, 21214-A, by Paul Whiteman featuring Bix Beiderbecke. It was created as the title song for publicity to the 1928 silent adventure film-romance Ramona (based on the 1884 novel Ramona by Helen Hunt Jackson). The song was used again in the 1936 remake of the movie. Ramona was recorded in 1928 by Dolores del Río for the film.
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Ramona is a 1916 American silent drama film directed by Donald Crisp based on Helen Hunt Jackson's 1884 novel Ramona. The film's runtime is about three hours [ 1 ] and is considered to be lost with only reel 5 preserved at the Library of Congress .