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A custom-painted Fuzz Factory by Laura Bennett, an artist previously in the employ of Z.Vex Effects. Each unit is handpainted, and while there is a stock design that adorns most models of the pedal, there have been several variations released in limited quantity, including sparkle finishes, kanji finishes (writing and labelling of controls are in Japanese kanji characters), Korean finishes ...
A collection of effects pedals, including several distortions: a MXR Distortion + (top row, second from left), and a Pro Co Rat, Arbiter Fuzz Face, and Electro-Harmonix Big Muff (all middle row, from left). Distortion pedals are a type of effects unit designed to add distortion to an audio signal to create a warm, gritty, or fuzzy character.
A deluxe bass version based on the 2008 Bass Big Muff Pi. This pedal has dry blend, noise gate, high pass filter and low pass filter controls. It confains an XLR DI, and buffered dry and effect outputs. Nano Big Muff Pi 2013 - Present Available Nano-sized version of the 2000 NYC Reissue, powered by 9V. Deluxe Big Muff Pi 2014 - Present Available
The simplest fuzz bass pedals have knobs for controlling the volume level, the tone, and the fuzz or overdrive effect. More complex pedals have different distortion effects (e.g., overdrive and fuzz), gates to trigger the volume at which sounds will get overdriven, mixers to mix the natural and fuzzed sound in the player's desired proportions ...
The pedal was housed in a large enclosure, typical for effects at the time, and featured two footswitches for on/off and to toggle between the unit's vibrato and chorus effects. The pedal worked in mono and stereo, and its "thick, spatial, and multidimensional" quality inspired numerous other companies to copy the pedal. [ 12 ]
The DS-1 was the first ever distortion guitar effect pedal manufactured by Boss An auditory example of the distortion effect with the clean signal shown first.. Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone.
Univox had many effects units, generally made by Shin-Ei, but perhaps their most well known was the Super-Fuzz Pedal, used by Pete Townshend. [3] Univox also produced the Uni-Vibe , a chorus/vibrato that attempted to emulate a Leslie speaker effect, popularized by Jimi Hendrix .
Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...