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A Toot and a Snore in '74 is a bootleg album consisting of the only known recording session in which John Lennon and Paul McCartney played together after the break-up of the Beatles in 1970. First mentioned by Lennon in a 1975 interview, [ 1 ] more details were brought to light in May Pang 's 1983 book, Loving John , and it gained wider ...
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Toot, Toot, Tootsie (Goo' Bye!) is a 1922 song with music and lyrics by Gus Kahn, Ernie Erdman and Danny Russo, [1] per the credits on the original sheet music cover. Some other sources also credit Ted Fio Rito and Robert King for the song, but make no mention of Dan Russo. [2] It debuted in the Broadway musical Bombo, where it was a major hit.
This is an accepted version of this page This is the latest accepted revision, reviewed on 14 January 2025. This is a list of onomatopoeias, i.e. words that imitate, resemble, or suggest the source of the sound that they describe. For more information, see the linked articles. Human vocal sounds Achoo, Atishoo, the sound of a sneeze Ahem, a sound made to clear the throat or to draw attention ...
This article is within the scope of WikiProject Rock music, a collaborative effort to improve the coverage of Rock music on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks. Rock music Wikipedia:WikiProject Rock music Template:WikiProject Rock music Rock ...
The songs credited to Yoko Ono is some blues rock improvisations with spontaneous screaming from her. "We're All Water" is an Ono song included in Some Time in New York City . The editing eliminated much of the dialogue between John and the band, focusing on the interpretation of the songs.
Toot or Tut, Markazi, a village in Iran; Mount Victoria Tunnel, a road tunnel in Wellington, New Zealand, colloquially known as "Toot Tunnel" Toot Oilfield, an oil field in northern Pakistan; Toot Sahib, a temple in Amritsar, Punjab, India
In January 1985, "My Toot Toot" was released as a single in Louisiana and Texas, and became his first true regional hit. Thanks to Cleon Floyd, manager of R&B singer (and uncle to) King Floyd, it became a huge New Orleans hit. Floyd first heard the crowd's reaction to the song at a bill headlined by Solomon Burke.