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Sonata for Alto Saxophone and Piano, Op. 29 (1970)—Robert Muczynski [38] Variations on a Dorian Theme for alto saxophone and piano (1972)—Gordon Jacob; Four Moods for Alto Saxophone and Piano (1975)—Phil Woods; Sonata for Alto Saxophone and Piano (1979)—John Worley; Albanian Summer (1980)—Dave Smith; Divertimento (1982)—Charles ...
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in the key of E ♭ , smaller than the B ♭ tenor but larger than the B ♭ soprano .
Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
Tots Tolentino's interest in jazz began at age 16 upon hearing recordings by Charlie Parker. [3] In 1977, he enrolled at the University of the Philippines Conservatory of Music where he studied flute under Prof. Eric Barcelo and played with the U.P. Jazz Ensemble, switching to saxophone.
He received great acclaim for his 1969 double-LP record For Alto, the first full-length album of solo saxophone music. [3] [4] A prolific composer with a vast body of cross-genre work, the MacArthur Fellow [5] and NEA Jazz Master has released hundreds of recordings and compositions. [6]
Rhapsodie for saxophone and orchestra, L.98, also known as Rhapsodie mauresque or Rhapsodie orientale, is a piece for alto saxophone and accompaniment by Claude Debussy. Completed in solo and piano form in 1911, the piece is most well known through its 1919 orchestration of the accompaniment by Jean Roger-Ducasse .
The genre of solo saxophone has a rich, but largely unmapped history in contemporary music, particularly jazz. [1] Many, but not all, musicians who play and record solo saxophone use extended techniques, a vocabulary of the saxophone beyond its normal range.
"Takes Two to Tango" is a popular song, written by Al Hoffman and Dick Manning and published in 1952. Two versions of the song, by Pearl Bailey and by Louis Armstrong , charted in that year. The recording by Pearl Bailey was released by Coral Records as catalog number 60817.