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"For Emily, Whenever I May Find Her" is a song written by Paul Simon and recorded by American music duo Simon & Garfunkel on their third studio album, Parsley, Sage, Rosemary and Thyme (1966). It is sung solely by Art Garfunkel , and consists mainly of his vocals with heavy reverb and a 12-string acoustic guitar.
The sharp symbol raises the pitch of a note by one semitone. Natural A natural cancels a sharp or flat. This sharp or flat may have been indicated as an accidental or defined by the key signature. Double flat A double flat lowers the pitch of a note by two semitones. Double sharp A double sharp raises the pitch of a note by two semitones.
Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F♯, the tone a major third above D).
If a note with a double sharp or double flat is followed by a note in the same position with a single sharp or single flat, there are two common notations. Modern notation simply uses a single flat or sharp sign on the second note, whereas older notation may use a natural sign (to cancel the double accidental) combined with the single ...
D ♯ (D-sharp) or ré dièse is the fourth semitone of the solfège. It lies a chromatic semitone above D and a diatonic semitone below E, thus being enharmonic to mi bémol or E ♭. However, in some temperaments, it is not the same as E ♭. E ♭ is a perfect fourth above B ♭, whereas D ♯ is a major third above B.
"I Can't Quit You Baby" was a vehicle for arranger-producer Dixon to launch Rush and Cobra Records, as it was the first single for both. [3] In this regard, it was a success, reaching number six on Billboard's Rhythm & Blues Records chart in 1956. [6] Otis Rush revisited "I Can't Quit You Baby" several times over the years.
Writing for AllMusic, critic William Ruhlman wrote of the album: "Al Kooper's finest work, an album on which he moves the folk-blues-rock amalgamation of the Blues Project into even wider pastures, taking in classical and jazz elements (including strings and horns), all without losing the pop essence that makes the hybrid work.
A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).