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This rise in popularity of the artist has resulted in the removal of their paintings to be sold. One example can be seen in the removal of Girl with Red Balloon from Shoreditch, east London in 2013–2014. The painting was removed over a period of two weeks, using a diamond-bladed chainsaw to cut through 22 cm of brick.
Afterwards it was to be laid picture side up, with the image covered by a sheet of paper coated in paste (generally of a beeswax or glue base). The artwork would then be flipped over and secured to the work surface with pins or nails. The current canvas would then be trimmed down or removed entirely so that a new, larger one may be applied. [6]
As a result, Mould revises his estimate of the painting's value to be between £50,000 and £100,000. Although professional removal of the painting would be costly and not without risk, the owners decide to go ahead with this, and the work is removed safely and sent for restoration before going to auction. [70]
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max 50 Lux: Permanent changes in pigment, dry paint out, and create cracks and paint flakes: 65 °F–70 °F: High temperatures soften a painting and allow dirt to stick to surface. Low temperatures cause paintings to become brittle. Canvas: 50 ± 10%: Collects dust easily: max 200 lux: 68 °F ± 2° Collects dust easily [18] Ceramics [19] 50% ...
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