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The Ego-Futurists were another poetry school within Russian Futurism during the 1910s, based on a personality cult. [53] [56] Most prominent figures among them are Igor Severyanin and Vasilisk Gnedov. The Acmeists were a Russian modernist poetic school, which emerged ca. 1911 and to symbols preferred direct expression through exact images.
In poetry, internal rhyme, or middle rhyme, is rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. [1] [2] By contrast, rhyme between line endings is known as end rhyme. Internal rhyme schemes can be denoted with spaces or commas between lines. For example, "ac,ac,ac" denotes a three-line poem ...
Download as PDF; Printable version; In other projects Wikidata item; ... Pages in category "Middle English poetry" The following 8 pages are in this category, out of ...
The original manuscript of the poem, BL Harley MS 2253 f.63 v "Alysoun" or "Alison", also known as "Bytuene Mersh ant Averil", is a late-13th or early-14th century poem in Middle English dealing with the themes of love and springtime through images familiar from other medieval poems.
The school libraries have three main programs each year: Poetry Jam at the Middle and High School Level, SLAM, Student Literacy & Media, Showcase for all levels, and the Storytelling Festival for Elementary levels. Poetry Jam is a coordination between the Hillsborough County Public Schools Library Media Services and the Arts in Education ...
Its first print publication, in 1943, was an extension of Carleton Brown's Register of Middle English Religious & Didactic Verse, augmented by the inclusion of secular verse. This edition, edited by Brown and Rossell Hope Robbins, contained entries for over 4,000 Middle English poems in more than 2,000 manuscripts. [1]
Mário Raul de Morais Andrade (October 9, 1893 – February 25, 1945) was a Brazilian poet, novelist, musicologist, art historian and critic, and photographer.One of the founders of Brazilian modernism, he virtually created modern Brazilian poetry with the publication of his Paulicéia Desvairada (Hallucinated City) in 1922.
The work has been described by Laura Saetveit Miles, a University of Bergen Professor of medieval literature, as "one of the most admired fifteenth-century Middle English lyrics [which] offers, within a deceptively simple form, an extremely delicate and haunting presentation of Mary (the 'mayden / þat is makeles') and her conception of Christ ('here sone')". [1]