Search results
Results From The WOW.Com Content Network
Frankenstein's monster in an editorial cartoon, 1896, an allegory on the Silverite movement displacing other progressive factions in late 19th century U.S. Shelley described Frankenstein's monster as an 8-foot-tall (2.4 m) creature of hideous contrasts: His limbs were in proportion, and I had selected his features as beautiful. Beautiful! Great ...
For premium support please call: 800-290-4726 more ways to reach us
Victor Frankenstein is a fictional character who first appeared as the titular main protagonist of Mary Shelley's 1818 novel, Frankenstein; or, The Modern Prometheus.He is a Swiss scientist (born in Naples, Italy) who, after studying chemical processes and the decay of living things, gains an insight into the creation of life and gives life to his own creature (often referred to as ...
The monster incites fear in Dr. Frankenstein as well as in the minds of villagers in the surrounding towns. The reader develops a sense of anger and disgust towards the monster for his actions against Dr. Frankenstein and his family but simultaneously feels sympathy for the monster because it is alone and unloved.
This is an accepted version of this page This is the latest accepted revision, reviewed on 11 February 2025. 1818 novel by Mary Shelley This article is about the novel by Mary Shelley. For the Monster, see Frankenstein's monster. For other uses, see Frankenstein (disambiguation). Frankenstein; or, The Modern Prometheus Volume I, first edition Author Mary Shelley Language English Genre Gothic ...
In the 1994 animated series Monster Force, Frankenstein's Monster, alias "Frankenstein" or "the Monster", becomes humanity's ally in a desperate fight against evil Creatures of the Night. The comedy series called Weird Science (1994–98) was inspired by the Frankenstein storyline (just as the 1985 film of the same name was).
For Shelley this is an example of the philosophical idea he defined as necessity, 'an immense and uninterrupted chain of causes and effects', which is explored in 'Mont Blanc' and is 'the direct moral' of Frankenstein. He points out that the monster’s mind is formed by impressions, and thus a conflict is created between Frankenstein monster ...
Max Duperray explains that the choice of the term "horror" served to distinguish a later school within the Gothic movement, which Frankenstein is partly part of: "[...] whereas the early novels separate good and evil with an insurmountable barrier," he writes, "the later ones usher in the era of moral ambiguity, involving the reader more deeply in the mysteries of the transgressive ...