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Gong Ageng in Javanese Gamelan ensemble Two gong sets; pélog scale set and sléndro scale set. Smaller kempul gongs are suspended between gong ageng (largest, right-side) and its gong suwukan (left, facing rearward). The gong ageng (or gong gedhe in Ngoko Javanese, means large gong) is an Indonesian musical instrument used in the Javanese gamelan.
Kulintang (Indonesian: kolintang, [13] Malay: kulintangan [14]) is a modern term for an ancient instrumental form of music composed on a row of small, horizontally laid gongs that function melodically, accompanied by larger, suspended gongs and drums.
By far the most familiar to most Westerners is the chau gong or bullseye gong. Large chau gongs, called tam-tams [7] have become part of the symphony orchestra. Sometimes a chau gong is referred to as a Chinese gong, but in fact, it is only one of many types of suspended gongs that are associated with China. A chau gong is made of copper-based ...
A gong chime is a generic term for a set of small, high-pitched bossed pot gongs. The gongs are ordinarily placed in order of pitch, with the boss upward on cords held in a low wooden frame. The gongs are ordinarily placed in order of pitch, with the boss upward on cords held in a low wooden frame.
Taw-go (tube zither) [1] Bagobo people, Davao Gulf area, Southern Mindanao, 20 th c. Bamboo (a kind of drum) Kulintang (gong-chime) Maranao people, Western Mindanao, 1920-1930 Wood, metal Played in ensemble with the dadabuan drum and various vertically hanging gongs.
Gamelan gong kebyar is a style or genre of Balinese gamelan music of Indonesia. Kebyar means "to flare up or burst open", [ 1 ] and refers to the explosive changes in tempo and dynamics characteristic of the style.
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Kolintang is a traditional Minahasan percussion instrument from North Sulawesi, Indonesia, consisting of wooden blades arranged in a row and mounted on a wooden tub. [1] ...