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Concerto for flute, oboe, clarinet, horn, trumpet, trombone, violin, viola and piano, op. 24 (1934) Three Lieder on texts by Hildegard Jone, for voice and piano, op. 25 (1934–35) Das Augenlicht, for mixed choir and orchestra, on a text by Hildegard Jone, op. 26 (1935) Variations, for solo piano, op. 27 (1936)
The work consists of an "outward" section labeled Original, followed by a "return" section labeled Miroir (Mirror), each lasting about 15 minutes. [3] Each section is composed of six sheets or cahiers (notebooks) marked A–F. [4] In the solo clarinet version, the performer plays the six Original sections in a sequence he or she chooses, after which the six Miroir sections are played. [4]
Michael Lowenstern (born August 23, 1968) is an American musician, composer and educator, specializing in bass clarinet.He is well known for his YouTube channel Earspasm [1] and for his many recordings featuring the bass clarinet as a solo instrument in classical, jazz, and electronica formats.
As a teenager Richman saw the Velvet Underground perform many times, and the format of "Roadrunner" is derived directly from the Velvets' song "Sister Ray". "Roadrunner" mainly uses two chords (D and A, and only two brief uses of E) rather than "Sister Ray"'s three (which are G, F, and C), but they share the same persistent throbbing rhythm, and lyrics which in performance were largely ...
The 1952 Chappell score lists the following as the work's instrumentation: piccolo, 1st-2nd flutes, 1st-2nd oboes (2nd doubl. English horn), 1st-2nd bassoons, Eb clarinet, Solo-1st-2nd-3rd Bb clarinets, alto clarinet, bass clarinet, AATB saxophones, Solo-1st-2nd-3rd Bb cornets, 1st-2nd trumpet, 1st-2nd-3rd-4th horns, 1st-2nd-3rd trombones, baritone/euphonium (treble and bass clef parts), tuba ...
Desert Roads: Four Songs for Clarinet and Wind Ensemble (2004). Give Us This Day: Short Symphony for Wind Ensemble (2005). Comprises two movements, marked by the composer as "Moderately slow" and "Very fast." The work features a clarinet solo in the first; and oboe, flute, saxophone, and clarinet solos in the second.
The following works are some of the most universally respected and established cornerstones of the band repertoire. All have "stood the test of time" through decades of regular performance, and many, either through an innovative use of the medium or by the fame of their composer, helped establish the wind band as a legitimate, serious performing ensemble.
Nr. 58 2 ⁄ 3 ossia, as either a solo for alto flute with piccolo, two synthesizer players, one percussionist, and tape, or a solo for alto flute with piccolo and tape Kinntanz ("Chin Dance"), 10. ex Nr. 53, from Luzifers Tanz , scene 3 from Samstag aus Licht (1983), 2 versions: