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The work is a dramatic oratorio and is considered a much more humanistic portrayal of the Christ passion [4] than other settings, such as those by Bach. It concludes at the point of Jesus personally accepting his fate, placing the emphasis on his own decision rather than the later Crucifixion or Resurrection .
Christ on the Mount of Olives (1604–1606) was a painting by Michelangelo Merisi da Caravaggio (Italian, 1571–1610), formerly in the Kaiser Friedrich Museum painting gallery, Berlin, but destroyed in 1945.
Christ on the Mount of Olives may refer to: Christ on the Mount of Olives, a painting by Caravaggio; Christ on the Mount of Olives (Paul Gauguin) , a ...
Son Dirck Jacobsz portrayed his parents as Jacob Cornelisz.Painting a Portrait of His Wife Anna. Little is known about Jacob Cornelisz van Oostsanen's life. Historians rely mostly on the biographical sketch of him written by Karel van Mander, the archives of Amsterdam, and the archives of Egmond Abbey, a Benedictine monastery that commissioned works by him.
Christ on the Mount of Olives. Luke 22:43–44 is a passage in the Gospel of Luke describing Jesus' anguish in the Garden and prayer, after which he receives strength from an angel, on the Mount of Olives prior to his betrayal and arrest.
Christ on the Mount of Olives, from the Třeboň Altarpiece. The Master of the Třeboň Altarpiece (German: Master of Wittingau) was a Bohemian painter active in Prague around 1380–1390. [1] His name is derived from the Třeboň Altarpiece from the church of Saint Eligius at the Augustinian convent of Třeboň (known in
The bedrock where Jesus is believed to have prayed. The Church of All Nations (Hebrew: כנסיית כל העמים; Arabic: كنيسة كل الأمم), also known as the Church of Gethsemane [1] or the Basilica of the Agony (Latin: Basilica Agoniæ Domini), is a Catholic church located on the Mount of Olives in East Jerusalem, next to the Garden of Gethsemane.
A strangely captivating oil painting, Paul Gauguin’s Christ on the Mount of Olives is a self-portrait that places the artist in place of Christ as he embarks on a journey into the unknown. Creating both a sense of depth and hierarchy, two figures can be seen trailing behind the character in the foreground.