Search results
Results From The WOW.Com Content Network
"Kill the King" first appeared on the compilations Capitol Punishment: The Megadeth Years, as one of two (or three, depending on the release) new songs included. [3] and would later appear on Warchest, Greatest Hits: Back to the Start, and Anthology: Set the World Afire.
"King Kunta" is a song by American hip-hop recording artist Kendrick Lamar, from his third album, To Pimp a Butterfly (2015). It was released as the album's third single on March 24, 2015. Lamar co-wrote the song with Thundercat , while Terrace Martin , Michael Kuhle, and Sounwave served as producers.
The song was produced by West, who co-wrote it with Jeff Bhasker, Young Jeezy, Malik Yusef, Mr Hudson, and Consequence. In 2008, the song was recorded over a time period of 15 minutes. It is a melancholy hip hop and R&B ballad, which features synth-pop production. Lyrically, the song sees West discuss struggling to detach himself from Alexis ...
The song "What It's Come To", which was released as a single in promotion for the album, addresses allegations against him and his wife Tiny, who appears in the video for the song alongside T.I. [5] In September 2021, T.I. was interviewed on the Big Facts Podcast , where he addressed allegations against him and maintained that Kill the King is ...
The music video for "Worth a Shot" premiered on May 18, 2022, [3] and depicts a Wild West theme, with Bentley portraying a wanted man getting rowdy in a saloon and King playing the part of his wife who dons a male disguise to challenge him to a drinking contest, before the sheriff catches up to Bentley and King has to help him flee. [2]
Hannah Dailey of Billboard said that "the video is as dynamic as the song, which moves between soft, pensive moments and roaring, anthemic releases." [18] Matt Moen, writing for Paper, described the video as "Suspira mixed-with-The Craft". [19] Writing for The Guardian, Michael Cragg ranked "King" as the band's twelfth best song. [20]
— Martin Luther King Jr., "Dreams of Brighter Tomorrows" "I am convinced that love is the most durable power in the world. It is not an expression of impractical idealism, but of practical realism."
Consistently monochrome or grayscale throughout, with the exception of the title in the opening, the credits at the end, and the Perimetron logo, the music video consists entirely of clips of King Gnu performing. [7] [8] On the simplicity of the music video, Osrin said that it "relied on the power of the subject" and "turned out to be a work of ...