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Some varieties of deceptive cadence that go beyond the usual V–VI pattern lead to some startling effects. For example, a particularly dramatic and abrupt deceptive cadence occurs in the second Presto movement of Beethoven’s Piano Sonata No. 30, Op. 109, bars 97–112, "a striking passage that used to pre-occupy theorists". [43]
As the Ponte serves to prolong a dominant sonority, the Indugio is a prolongation of a predominant sonority before a half cadence. In an Indugio, the melody will often highlight scale degrees 2, 4, and 6, while the bass will emphasize scale degree 4, preparing to go to scale degree 5 for the half cadence. [21]
This is an example of a suspended chord. In reference to chords and progressions for example, a phrase ending with the following cadence IV–V, a half cadence, does not have a high degree of resolution. However, if this cadence were changed to (IV–)V–I, an authentic cadence, it would resolve much more strongly by ending on the tonic I chord.
The concluding cadence of the same movement features the chord in root position: Mozart Piano Sonata in C, K545, end of first movement Mozart Piano Sonata in C, K545, end of first movement 02. A striking use of inversions of the dominant seventh can be found in this passage from the first movement of Beethoven’s String Quartet Op. 127.
It says in the article that a deceptive cadence is in the parallel minor. Either I'm misunderstanding what's being said, or this is wrong. A deceptive cadence may perhaps end on anything, but usually it is on the relative minor or subdominant, not the parallel minor (as far as I know). Plus, the following explanation in the article is of a A ...
A new pro-Trump spot was “the most egregious example yet,” Dale wrote on X, formerly Twitter. New Trump closing ad begins: “Kamala backed Biden on everything.”
New York Jets quarterback Aaron Rodgers and head coach Robert Saleh disagreed on cadence possibly being the reason for five false start penalties during a loss to the Denver Broncos.
I was the one that added "A Summer Song" as a popular music example of a deceptive cadence. In less than a day, someone (and rightly so) attached a "citation needed" footnote to it. Not being a professional musician, I cannot state with 100% certainty that this is truly a deceptive cadence nor can I cite a source that will verify this.