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A vectorized version of File:Celtic_spiral_tile_pattern.png: Author: User:Hyacinth, converted to SVG by Bartledan : Other versions: Original PNG image: Image:Celtic spiral tile pattern.png For other Celtic "key" patterns, see File:Celtic key Cross.svg and File:Celtic key Cross 2.svg
Prehistoric spiral designs date back to Gavrinis (c. 3500 BCE). [1] Celtic spiral tile pattern found in many locations including The Book of Kells. The straight-line spirals of Celtic labyrinths originated in chevrons and lozenges and are drawn by the Celts using a connect the dots method. [1]
The spiral design can be based on interlocking Archimedean spirals, or represent three bent human limbs. It occurs in artifacts of the European Neolithic and Bronze Ages with continuation into the Iron Age – especially in the context of the La Tène culture [1] and of related Celtic traditions.
Celtic art has used a variety of styles and has shown influences from other cultures in their knotwork, spirals, key patterns, lettering, zoomorphics, plant forms and human figures. As the archaeologist Catherine Johns put it: "Common to Celtic art over a wide chronological and geographical span is an exquisite sense of balance in the layout ...
The triquetra is often used artistically as a design element when Celtic knotwork is used, especially in association with the modern Celtic nations. The triquetra, also known as a "Irish Trinity Knot", is often found as a design element in popular Irish jewelry such as claddaghs and other wedding or engagement rings.
Late Iron Age Celtic art or "Ultimate La Tène", gave the love of spirals, triskeles, circles and other geometric motifs. These were combined with animal forms probably mainly deriving from the Germanic version of the general Eurasian animal style, though also from Celtic art, where heads terminating scrolls were common.
The Huffington Post has updated Hospice Check to reflect current inspection data. Since we first published this map in June, the number of hospices that haven’t been inspected in more than six years fell below 400, from 759.
Macalister considered that the artist excelled in the geometric and abstract patterns which appear on the cross. On the ring surrounding the head of the cross, there are 17 different patterns. Macalister stated that geometric patterns fall into three categories: spiral, interlace, and key-patterns. [9]