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A nightcore (also known as sped-up song, sped-up version, sped-up remix, or, simply, sped-up edit) is a version of a music track that increases the pitch and speeds up its source material by approximately 35%. This gives an effect identical to playing a 33⅓-RPM vinyl record at 45 RPM.
[31] [32] This prompted YouTube's CEO Susan Wojcicki to respond three months later with "Thank you @YouTube community for all the feedback. We're listening" in February 2016. [33] Videos continued to be removed and flagged on the site when copyright claims were made against uploaders for using the alleged use of protected material.
Google argued that since Viacom and its lawyers were "unable to recognize that dozens of the clips alleged as infringements in this case were uploaded to YouTube" with Viacom's express authorization, "it was unreasonable to expect Google's employees to know which videos were uploaded without permission." [16] [17]
In August, the online content creator — whose YouTube channel has more than 315 million subscribers — admitted to using "inappropriate language" in past videos after clips surfaced of him ...
The plaintiffs allege that the tech companies violated several city laws related to public nuisance and gross negligence through the design and marketing of their addictive products.
"Speed Me Up" is a song by American rappers Wiz Khalifa, Ty Dolla Sign, Lil Yachty, and Sueco the Child. Produced by Take a Daytrip , it was released by Atlantic Records on January 24, 2020 and featured on the soundtrack to the film Sonic the Hedgehog .
[1] [2] It was also reported to be present during situations of altered states of consciousness, such as trance and alleged possession. Its description is mostly based on anecdotal evidence . The name refers to hysteria , a nosological category that included bouts of superhuman strength as one of the possible symptoms , but in Europe this had ...
Evaluation of alleged copyright infringement in a court of law may be substantial; the time and costs required to apply these tests vary based on the size and complexity of the copyrighted material. Furthermore, there is no standard or universally accepted test; some courts have rejected the AFC Test, for example, in favor of narrower criteria.