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Joshua Klein wrote that Hood was "surprisingly sanguine, even mature" in the way he addressed both positive and negative topics on the album, [10] and AllMusic ' s Mark Deming wrote that its songs were "dark but compassionate character studies", adding that it "consistently cuts closer to the bone" than Hood's first solo album, Killers and ...
The Chords were one of the early acts to be signed to Cat Records, a subsidiary label of Atlantic Records. [2] Their debut single was a doo-wop version of a Patti Page song "Cross Over the Bridge", and the record label reluctantly allowed a number penned by the Chords on the B-side. [3]
The musically "lazy" chord structure viewed in combination with the meta-lyrics reveal the true extent of what a critic for The A.V. Club describes as song's "genius": "the commentary is a big joke about how listeners will like just about anything laid on top of the chords of the infinitely clichéd Pachelbel canon, even lyrics that openly mock ...
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The group reportedly auditioned the song for famed record producer Bobby Robinson while he was sick in bed, but he rejected them, stating the song "wasn't commercial enough". [5] When the Chords recorded their debut single for Cat Records, a cover of Patti Page 's " Cross Over the Bridge ", the label reluctantly allowed them to record "Sh-Boom ...
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The post Black History/White Lies: The 10 biggest myths about slavery appeared first on TheGrio. OPINION: Part one of theGrio’s Black History Month series explores the myths, misunderstandings ...
Their debut album was released a few months later, in early 1966, and was named after the hit, and featured the song. [6] "Lies" entered the Billboard Hot 100 in the final week of December 1965 [7] went to number 20 on the charts in late January 1966, [8] and was, in total, on the Hot 100 for thirteen weeks, before leaving the charts in ...