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Borderlands/La Frontera: The New Mestiza is a 1987 semi-autobiographical work by Gloria E. Anzaldúa that examines the Chicana/o and Latina/o experience through the lens of issues such as gender, identity, race, and colonialism. Borderlands is considered to be Anzaldúa’s most well-known work and a pioneering piece of Chicana literature. [1]
Gloria Evangelina Anzaldúa (September 26, 1942 – May 15, 2004) was an American scholar of Chicana feminism, cultural theory, and queer theory.She loosely based her best-known book, Borderlands/La Frontera: The New Mestiza (1987), on her life growing up on the Mexico–Texas border and incorporated her lifelong experiences of social and cultural marginalization into her work.
Living near the Rio Grande, Anzaldúa saw many women and children who had crossed the border to search for work and these experiences influenced the writing of "Friends from the Other Side" and inspired her to tell of life in the borderlands. [3] "She imprinted her heroine, Prietita, as a 'bridge'- a way of transforming the world.
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Gloria E. Anzaldúa in 1990 Gloria Anzaldúa (1942–2004) was a prolific Chicana writer of prose, fiction, and poetry. [ 1 ] After moving from her native Texas to California in 1977, she exclusively focused on her writing, [ 2 ] publishing dozens of pieces of writing before her death. [ 3 ]
In her book Borderlands/La Frontera, she says, “it is one of the stages of writing, the stage where you have all these ideas, all these images, sentences and paragraphs, and where you are trying to make them into one piece, a story, plot or whatever—it is all very chaotic.” [3] Nepantla in the general definition is a space, and in this ...
The Encyclopedia of Race, Ethnicity and Society claims that, "One of the best-known Latina feminists is Gloria Anzaldúa, author of numerous writings, including Borderlands/La Frontera: The New Mestiza. As a lesbian Chicana writer, Anzaldúa has produced work that shows the clear intersectionality of gender, sexuality, and the social ...
Borderlands/La Frontera: The New Mestiza (1987) by Gloria Anzaldúa both grew out of and signifies this change. [23] Chicano studies became less about nationalism, and more about belonging to a group and contributing to "something greater." [23] This shift helped reshape the mission of Chicano studies and gave it "new life" and "new authority ...