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Ave Caesar! Morituri te salutant, by Jean-Léon Gérôme (1859), adapts the phrase to describe gladiators greeting the emperor Vitellius. Avē Imperātor, moritūrī tē salūtant ("Hail, Emperor, those who are about to die salute you") is a well-known Latin phrase quoted in Suetonius, De vita Caesarum ("The Life of the Caesars", or "The Twelve Caesars"). [1]
morituri nolumus mori: we who are about to die don't want to: From Terry Pratchett's The Last Hero, an effective parody on Morituri te salutamus/salutant morituri te salutant: those who are about to die salute you
Later versions included a variant of "We who are about to die", and this translation is sometimes aided by changing the Latin to nos morituri te salutamus. Ave Maria: Hail, Mary: Roman Catholic prayer of intercession asking St. Mary, the Mother of Jesus Christ to pray for the petitioner ave mater Angliae: Hail, Mother of England: Motto of ...
Morituri te salutant (Hail, Caesar, those who are about to die salute you) of 1859. In this painting, the gladiators are all raising their right or left arms, holding tridents and other weapons. [19] Their salutation is a well-known Latin phrase quoted in Suetonius, De Vita Caesarum ("The Life of the Caesars", or "The Twelve Caesars"). [20]
"Morituri te salutamus" is "We" who are about to die salute you, not "They" (salutant) - — Preceding unsigned comment added by 173.247.5.150 04:42, 12 April 2012 (UTC) "AVE CAESAR! MORITURI TE SALUTAMUS!" was the greeting shouted by gladiators in the Games at rhe Colliseum Romanum, just before the battle was staged.
Naumachia (detail): an imaginative recreation by Ulpiano Checa, first exhibited in 1894.. The naumachia (in Latin naumachia, from the Ancient Greek ναυμαχία / naumachía, literally "naval combat") in the Ancient Roman world referred to both the staging of naval battles as mass entertainment, and the basin or building in which this took place.
emember "Rumplestiltskin"? An impish man offers to help a girl with the . impossible chore she's been tasked with: spinning heaps of straw into gold. It's a story that's likely to give independent women the jitters; living beholden to a demanding king and a conniving mythical creature is no one's idea of romance.
Morituri te Salutant, shown at the Salon of 1859, Gérôme returned to the painting of Classical subjects, but the picture failed to interest the public. King Candaules (1859) and Phryne Before the Areopagus and Socrates Seeking Alcibiades in the House of Aspasia (both 1861) gave rise to some scandal by reason of the subjects selected by the ...